Search: Starring Robin Wright

The situation is played with an off-hand glibness that barely leaves a lipstick mark on the surface of what the quartet are doing.

It is Blade Runner.

Literary responsibilities and moral ambiguities aside, Beowulf remains a rollicking good story of man versus monsters, full of gory violence, sexy women, heavy drinking, treasure and shouting.

Breaking And Entering feels genuinely homegrown, with an intelligent script, beautifully handled by actors and director.

The parallels with The Global War On Terror are obvious, but feel over-egged.

The enhancements here come, not to the source material but to the look of the film, which is beautifully rendered in immersive 3D.

The grandeur and beauty of the place is set against figures of climbers, like black ants, across a white wilderness

Whether Forrest's crippled state of mind represents America's tattered prestige is open for discussion.

In the end, this isn't the obnoxious film it might have been but it isn't a very interesting one either.

He manages not only to reveal a thesis statement on his entire career, but also dive into the experimental territory like never before.

As a piece of writing, it has a sharp, smart gloss, without soul or feeling.

Cunningham's characters are credible and beguiling, and skilfully rendered by the cast.

The setup may call to mind other films about women starting life anew in beautiful exotic locales — let’s say Tuscany for example. However, Land puts forth a quieter and darker tone.

The glossy magazine spin to this innocent touchy-feely romance destroys all faith in the advancement of human intelligence.

While the film does rattle through these pillars of the underdog sports movie narrative, it does so with an element of class, a helping of humour and a knowing wink.

The end result may look good but it never feels distinctive despite the wealth of talent involved in front of and behind the camera.

Having laid the foundations for a tense, realistic thriller, using documentary footage wherever possible, Sean Penn blows it with unnecessary camera tricks.

The Princess Bride is marvellous entertainment for all ages, and endlessly rewatchable.

Wry, funny and emotionally-charged.

Ultimately the in-your-face style and confusing story stop the emotions from getting truly under your skin.

This screenplay, twisted out of shape to fit the demands of Hollywood, is a postumous reminder of Potter's unique talents.

The producers have kept what was best about the original, added some interesting touches and resisted the temptation to pile on the contrivances and explosions.

Matching the subtlety of the story and the assurance of the camerawork, the acting shines.

Almost everywhere in this documentary less would be more.

It’s the cinematic equivalent of Morris dancing: there’s lots going on, it’s entertaining enough – but you’re not entirely sure what the point is.

Sometimes a film is more, much more, than the sum of its parts.

The central characters, so often a weak point in superhero movies, are well developed with solid performances all round. Gadot, meanwhile, goes above and beyond.